Based on a Book

Since being forced into retirement by the CIA, Miles Kendig had tried everything in an effort to satisfy his hunger for excitement. But he could not recreate the ultimate conflict of life or death with no rules, the experience of pitting himself against t... Read More

Since being forced into retirement by the CIA, Miles Kendig had tried everything in an effort to satisfy his hunger for excitement. But he could not recreate the ultimate conflict of life or death with no rules, the experience of pitting himself against the enemy with no holds barred.Despite his bitterness at being shelved by the CIA, Miles was still scrupulously American--so when he found himself tempted by an offer from the Russians, he realized the time had come for him to put up or give up.Miles has been waiting, carefully planning, for years--and, finally, he's ready. By threatening to expose the espionage secrets of the major powers, he set himself up as the quarry of an international manhunt. Now he would either prove to himself that after twenty-five years of playing the game he was still a winner, or he would meet his death at the hands of younger men.

Walter Matthau is in peak form in Hopscotch, a featherweight spy-game comedy in which he plays a CIA agent who's way smarter than his dimwitted superiors. That's the fantasy part--this amusing cat-and-mouse game is so lopsided that you can't take it serio... Read More

Walter Matthau is in peak form in Hopscotch, a featherweight spy-game comedy in which he plays a CIA agent who's way smarter than his dimwitted superiors. That's the fantasy part--this amusing cat-and-mouse game is so lopsided that you can't take it seriously. The movie's charm is derived from the sardonic pleasure with which Matthau makes his pursuers look like idiots, after they've targeted him for "termination" for publishing a tell-all memoir about his tenure in "the Company." He's no stool pigeon, however; it's his boss (played with blustery thick-headedness by the great Ned Beatty) who's abusing his power, so Matthau recruits an old lover (Glenda Jackson) to join him in a globetrotting game of clandestine cleverness. Under Ronald Neame's too-casual direction, this is a not-so-wild goose chase, but Matthau and Jackson (reuniting after they had fun making the 1978 comedy House Calls) have an easygoing chemistry that's nicely balanced with Matthau's cantankerous shenanigans. --Jeff Shannon