The Hi-Lo Country
The book The Hi-Lo Country was made into the movie The Hi-Lo Country.
Book details for The Hi-Lo Country
Jan Haley is also from the heart of Hi Lo Country, where she has documented in her photography the vanishing homesteads and ranches in this region anchored by four mountains: Eagle Tail, Sierra Grande, Capulin, and Rabbit Ears. Her pictures of the spectacular landscapes will enthrall not just fans of Max Evans but anyone who wants to see the True West that still exists within a day's drive of the big cities that are now the population centers of the country.
The Max Evans text written specifically for this book is in his unmatched storytelling style and full of entertaining anecdotes. His writing is rich in heartfelt emotion and, coupled with Haley's photos, is a tribute to a neglected part of the world we can now treasure forever.
Movie details for The Hi-Lo Country
The movie was released in 1998 and directed by Stephen Frears, who also directed The Grifters (1990), The Snapper (1993) and Mary Reilly (1996). The Hi-Lo Country was produced by Polygram USA Video. More information on the movie is available on Amazon.com and also IMDb.
Actors on this movie include Billy Crudup, Woody Harrelson, Cole Hauser, Enrique Castillo, Darren E. Burrows, Jacob Vargas, Robert Knott, Sam Elliott, Sandy Baron, Patricia Arquette, John Diehl, Craig Carter (II), Penélope Cruz, Walter C. Hall, James Gammon, Will Cascio, Richard Purdy, Lane Smith, Keith Walters and Sarge McGraw.
Billy Crudup (Without Limits) plays Harrelson's best pal, just returned to New Mexico from service in World War II with hopes of starting a cattle ranch free from the greedy clutches of a local rancher (Sam Elliott) who dominates the town of Hi-Lo like a bootclad kingpin. Harrelson joins in the effort, but tensions rise when he connects with the sultry seductress (Patricia Arquette) with whom Crudup has fallen inexplicably in love. Harrelson has provoked others as well, and he seems primed for a fall, but The Hi-Lo Country is a film out of balance. Memorable moments are found in abundance, and the film's period detail is impeccable, but Crudup's character is so underwritten and underplayed that his role as narrator and ostensible hero has minimal dramatic impact. By the time fate deals its inevitable blow, it's too late to care. Frears has suffered from similar missteps before (remember Mary Reilly?), and The Hi-Lo Country leaves you wondering what Peckinpah might have done with the novel he so dearly admired. --Jeff Shannon