Based on a Book

Vampire$ (the title does end with a dollar sign) is about a tightly knit group of professional vampire killers. They may say they're in it for the money, but their death-defying bravado and warm male friendships are as intense as those in any soldier-hero... Read More

Vampire$ (the title does end with a dollar sign) is about a tightly knit group of professional vampire killers. They may say they're in it for the money, but their death-defying bravado and warm male friendships are as intense as those in any soldier-hero epic. The irrepressible, foul-mouthed, hard-drinkin' Jack Crow--decked out in high-tech chain mail and wielding a fearsome crossbow--is the leader of the bunch. He's the sort of man who screams obscenities at the pope, and then (after a lot of booze) weeps in the pontiff's lap over the horrors he's witnessed.

Author John Steakley is the son of a Chevrolet dealer from Cleburne, Texas, and he uses his roots to good effect. Not only does much of the action take place in the Lone Star state, but when we first meet the major character named Felix, he's an apparition out of the Old West--living in an abandoned boxcar on the Rio Grande with a Mexican whore, an endless supply of tequila, and a tacky bleeding Jesus on the wall.

Vampire$ is one gaudy, action-packed novel. The men are men, the women are vulnerable, and the vampires are mean, ugly monsters. Unless you don't like that sort of thing, you'll love it.

Talk about an opening. The first few minutes of John Carpenter's Vampires--in which James Woods's vampire killer leads a dawn raid on a New Mexico "goon nest" of bloodsuckers--not only suggests a horror movie that will not pull any punches, it even evokes... Read More

Talk about an opening. The first few minutes of John Carpenter's Vampires--in which James Woods's vampire killer leads a dawn raid on a New Mexico "goon nest" of bloodsuckers--not only suggests a horror movie that will not pull any punches, it even evokes some of the more disturbing dream-memories of American Westerns. Muscular and uncompromised, the sequence suggests a new Carpenter classic unraveling before one's eyes. Well, dream on. Things don't quite work out that way, but this is still a film to reckon with. There are a few serious (and surprising) misjudgments on the director's part, particularly a mishandling of Sheryl Lee's role as a prostitute poisoned by the bite of a "master vampire" (who pretty much wiped out Woods's team of goon terminators). But aside from some weaknesses, the action is jolting, the suggested complicity of the Catholic Church in destroying monsters is provocative, and the traces of Howard Hawks's continuing influence on Carpenter's storytelling are in evidence. --Tom Keogh