Based on a Book

For nearly a decade author Joe Connelly rushed from emergency to emergency as a paramedic in the Hell's Kitchen area of New York City. This is the novel he wrote to purge, perhaps redeem, the torment of his experiences in the trenches with the dying and t... Read More

For nearly a decade author Joe Connelly rushed from emergency to emergency as a paramedic in the Hell's Kitchen area of New York City. This is the novel he wrote to purge, perhaps redeem, the torment of his experiences in the trenches with the dying and the barely living. Connelly seems to be a born writer, for this first novel makes brilliant use of unflinching realism, dark and brittle humor, a faint whiff of the supernatural, and, above all, the poignancy of a human soul that chooses slow self-destruction rather than shutting itself off to the suffering of others. As Patrick McGrath--another writer of dark literary fiction--writes, "The author's vision is both bleak and compassionate; his control of his explosive material is masterly. This is strong stuff, full of heart, engaging, harrowing, and real." You won't be able to let this one out of your sight until you've finished reading it, and it will linger long after you've put it down. --Fiona Webster

Martin Scorsese comes home to the mean streets of New York with Bringing Out the Dead, the hyperkinetic tale of an ambulance driver (Nicolas Cage) on three sleep-deprived, adrenaline-fueled nights amongst the dead and dying of the city. Less a coherent... Read More

Martin Scorsese comes home to the mean streets of New York with Bringing Out the Dead, the hyperkinetic tale of an ambulance driver (Nicolas Cage) on three sleep-deprived, adrenaline-fueled nights amongst the dead and dying of the city. Less a coherent narrative than a mood piece, the film is a welcome return to form for Scorsese, who takes Joe Connelly's memoir and spins it into a slightly surreal, darkly comic tale of one man's redemption. Frank Pierce (Cage) is a man who feels impotent in his job as an EMT--less a lifesaver, he's more of a grief mop as he sardonically puts it, bearing witness to the pain and suffering of others. Haunted by the specter of a young homeless girl, something stirs in Frank when he meets Mary (Patricia Arquette), the daughter of a heart attack victim Frank attends to. In a world where human interaction usually means putting someone on a stretcher, or bantering frenetically with his coworkers, Frank seems headed for certain physical and nervous collapse.

Scorsese, screenwriter Paul Schrader (of Taxi Driver and Raging Bull), and cinematographer Robert Richardson put a vivid spin on the New York of the early 90s with amazing visual flair and keen, economical storytelling. The film practically pulses with life, and hits the perfect note of ragged exhaustion. Cage, after a recent career slump, turns in an exceptional performance, by turns manic and weary. In fact, this is one of the best casts ever assembled for a Scorsese film: in addition to the quietly effective Arquette, there are great performances by John Goodman, Ving Rhames, and Tom Sizemore as Cage's ambulance partners, as well as Mary Beth Hurt (as an ER doctor), pop star Marc Anthony (as a drug addict), and especially Cliff Curtis (as a drug dealer who winds up in an unusual scrape). It's not a masterpiece in the vein of Taxi Driver, but Bringing Out the Dead ranks as a stunning Scorsese joyride. --Mark Englehart