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The Eye of the Beholder

The book The Eye of the Beholder was made into the movie The Eye of the Beholder.

Which one did you like better, the book or the movie?  There are 3 votes for the book, and 6 votes for the movie.

Book details for The Eye of the Beholder

The Eye of the Beholder was written by Marc Behm. The book was published in 1981 by Ballantine Books. More information on the book is available on Amazon.com.

 

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The Woman. She's beautiful, and seductive, and as shifting as a shadow. Her name, her appearance, and her victims are forever changing. There is only one constant in the woman's life: her chilling motive. . . .The Eye. A private investigator, driven and o... Read More
The Woman. She's beautiful, and seductive, and as shifting as a shadow. Her name, her appearance, and her victims are forever changing. There is only one constant in the woman's life: her chilling motive. . . .

The Eye. A private investigator, driven and obsessed. A desperate loner with secrets of his own. His job? To follow the woman. But catching her is the last thing on his mind. He likes to watch. And the closer he gets, the more dangerous his fantasy becomes. . . .

Movie details for The Eye of the Beholder

The movie was released in 1999. The Eye of the Beholder was produced by Sony Pictures. More information on the movie is available on Amazon.com.

Actors on this movie include Ashley Judd and Ewan McGregor.

 

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This problematic thriller boasts several inspired elements, especially intelligent, committed performances by leads Ewan McGregor and Ashley Judd, both of whom have become hot commodities. Fans should definitely investigate their incisive work here, even ... Read More
This problematic thriller boasts several inspired elements, especially intelligent, committed performances by leads Ewan McGregor and Ashley Judd, both of whom have become hot commodities. Fans should definitely investigate their incisive work here, even if McGregor and Judd's talents are ultimately cast into a lost cause.

Judd plays a black-widow serial murderer named Joanna, who is systematically seducing and killing men who, in one way or another, are outside the ordinary. (Among her victims is a blind mulimillionaire, played by Patrick Bergin, and a nasty loser portrayed, surprisingly, by Jason Priestley.) McGregor is on board as a British intelligence agent who happens to be following her. Referred to as "the Eye," McGregor's operative is a haunted man abandoned years before by his wife and daughter. His isolation is such that he holds imaginary conversations with the latter, and she advises him to take pity on Joanna and protect her even as she carries on with her monstrous mission.

That's precisely what he does, at a distance, ushering in comparisons to Hitchcock's classics about voyeurism and obsession, particularly Vertigo and Rear Window. (Allusions to Francis Coppola's The Conversation are unavoidable as well.) But despite the great material (the 1980 source novel by Marc Behm was highly praised by The New York Times) and a fascinating cast (including Geneviève Bujold and k.d. lang), Eye of the Beholder bogs down in Stephan Elliott's often thoughtless, obvious direction. Elliott (Priscilla, Queen of the Desert) grinds down several members of the cast by insisting on dreary, one-note performances, and he makes a long movie seem even longer by telegraphing story twists and other developments long before they happen. Justice would be served if one could extract Judd and McGregor's appearances here and graft them onto a better movie, but so it goes. --Tom Keogh