Based on a Book

John le Carré, the greatest spy novelist of the Cold War era, continues his post-Cold War quest to define the genre he helped perfect. The classic spy novel was essentially a story of good (England, the United States) vs. evil (Nazi Germany, the Soviet Un... Read More

John le Carré, the greatest spy novelist of the Cold War era, continues his post-Cold War quest to define the genre he helped perfect. The classic spy novel was essentially a story of good (England, the United States) vs. evil (Nazi Germany, the Soviet Union), in which good more or less prevailed. The Tailor of Panama is something else entirely: a spy novel with no spies in which the bad guys reap most of the rewards. It is also a viciously funny satire. The novel is set in Panama, where a plot is in place to make void the Panama Treaty, which would return control of the Panama Canal to the Panamanians in 1999. At the center of events is Harry Pendel, the tailor of the title. Coerced into working for British Intelligence, he concocts out of whole cloth a left-wing movement with the goal of luring the American military to do the dirty work--invade Panama à la 1989 and nullify the treaty. From the characters to the setting, le Carré has succeeded in setting new parameters for an old genre.

Tailors are the secret-keepers of the power elite; customize fine apparel for the rich and powerful, and you'll hear things only whispered in the halls of government. Such is the sly conceit of The Tailor of Panama, coadapted by John le Carré from his own... Read More

Tailors are the secret-keepers of the power elite; customize fine apparel for the rich and powerful, and you'll hear things only whispered in the halls of government. Such is the sly conceit of The Tailor of Panama, coadapted by John le Carré from his own novel, and directed by John Boorman with a delicious spin on the traditions of the spy genre. As British MI-6 agent Andy Osnard, Pierce Brosnan qualifies as James Bond's black-sheep sibling, viewing women only in terms of sexual conquest and conducting spy business by his own flexible set of rules. Banished to Panama to pay for recent indiscretions, Andy connects with Harry Pendel (Geoffrey Rush), a British ex-convict who's built a lucrative cover as tailor to Panama's highest officials. With the coveted Panama canal now under local control, Andy's arrived to see what Harry knows about the canal's pending multinational sale.

As Andy observes, Panama is "Casablanca without heroes," and that's precisely how Boorman depicts it: a melting pot of greed, ambition, and backroom maneuvering, where Andy can bed an embassy official (Catherine McCormack) while squeezing information from Harry, who concocts a phony "silent opposition" that puts British and American forces on full alert. Harry's wife (Jamie Lee Curtis) is pulled into the scenario by Andy's ruthless scheming, and The Tailor of Panama reveals how a simple fabrication can provoke trigger-happy forces around the globe. Part comedy and part political horror thriller--with a tragic supporting role for Brendan Gleason, from Boorman's The General--this is old-fashioned spy stuff made new by le Carré's inventive plotting and keen ear for the dialogue of rogues. --Jeff Shannon