Based on a Book

There are plenty of belly laughs in The Mel Brooks Collection, an eight-disc set of most of the director-writer-actor's best-known films. Four of them--Silent Movie, High Anxiety, To Be or Not to Be, and Robin Hood: Men with Tights--are making their debu... Read More

There are plenty of belly laughs in The Mel Brooks Collection, an eight-disc set of most of the director-writer-actor's best-known films. Four of them--Silent Movie, High Anxiety, To Be or Not to Be, and Robin Hood: Men with Tights--are making their debut on DVD, while a fifth, The Twelve Chairs, was briefly available as a non-anamorphic DVD from Image Entertainment (all the DVDs in this set are anamorphically enhanced for widescreen TVs). That means you can sample a 23-year stretch of Brooks's outrageous and affectionate spoofing of everything from movies to popular legends to movies to historical figures to, hey! more movies.

The earliest film, The Twelve Chairs (1970), is the least known, but is one of the funniest, helped greatly by a good story (adapted from a 1920s Russian tale) and the casting of Ron Moody and Frank Langella as treasure hunters. Young Frankenstein and Blazing Saddles followed in 1974. The former, a spoof of horror films, is easily one of the top two or three funniest movies of all time, and the latter is justly famous for its often-tasteless send-up of Western cliches. Silent Movie (1976) is just what the title describes, with its only word of dialogue spoken from the least-likely source, and High Anxiety (1977) pays tribute to the work of Alfred Hitchcock. History of the World, Part 1 (1981) mocks historical events and epics, and To Be or Not to Be (1983) is a remake of Ernst Lubitsch's 1942 classic of the same name (it's also the only film in the set Brooks for which didn't receive writing and directing credit). By this time, Brooks was more actively taking the leading roles himself (rather than the bit parts), and unfortunately relying less on his topnotch ensemble of recurring players, which included Gene Wilder, Madeline Kahn, Cloris Leachman, Harvey Korman, and Dom Deluise. But he does use a new ensemble (including Cary Elwes and, in his film debut, Dave Chappelle), for Robin Hood: Men in Tights (1993), the feature-length spin on the same hero Brooks had spoofed in his short-lived 1975 television series When Things Were Rotten.

Bonus features are minor. In addition to an HBO featurette on Men in Tights, there's a featurette and interviews on To Be or Not to Be and all the features (Brooks commentary, deleted scenes, interviews, etc.) that were on the original release of Young Frankenstein. Note that while rights issues kept The Producers, Spaceballs, and other films out of this set, 20th Century Fox was able to use Warner Bros.' Blazing Saddles. The features on that disc, however, are the ones that were on the 1997 DVD release, not the 2004 anniversary reissue. Regardless, the set's price for this many films is low, and because it has so many films new to DVD, Brooks fans will want to pick this up faster than they can say... "Frau Blücher!" --David Horiuchi

Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesqu... Read More

Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image … but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates.