Based on a Book

Superior acting, writing, and direction are on impressive display in the critically acclaimed Mystic River, Clint Eastwood's 24th directorial outing and one of the finest films of 2003. Sharply adapted by L.A. Confidential Oscar-winner Brian Helgeland fro... Read More

Superior acting, writing, and direction are on impressive display in the critically acclaimed Mystic River, Clint Eastwood's 24th directorial outing and one of the finest films of 2003. Sharply adapted by L.A. Confidential Oscar-winner Brian Helgeland from the novel by Dennis Lehane, this chilling mystery revolves around three boyhood friends in working-class Boston--played as adults by Tim Robbins, Sean Penn, and Kevin Bacon--drawn together by a crime from the past and a murder (of the Penn character's 19-year-old daughter) in the present. These dual tragedies arouse a vicious cycle of suspicion, guilt, and repressed anxieties, primed to explode with devastating and unpredictable results. Eastwood is perfectly in tune with this brooding material, giving his flawless cast (including Laura Linney, Marcia Gay Harden and Laurence Fishburne) ample opportunity to plumb the depths of a resonant human tragedy, leading to an ambiguous ending that qualifies Mystic River for contemporary classic status. --Jeff Shannon

Ever since blasting onto the literary scene with the Shamus Award-winning A Drink Before the War, Dennis Lehane has been the golden boy of noir. His Patrick Kenzie and Angela Gennaro novels are marvels of tight pacing, dialogue so good it gets under your ... Read More

Ever since blasting onto the literary scene with the Shamus Award-winning A Drink Before the War, Dennis Lehane has been the golden boy of noir. His Patrick Kenzie and Angela Gennaro novels are marvels of tight pacing, dialogue so good it gets under your skin and stays there, with dead-on portrayals of working-class Boston neighborhoods. Sure, he's the oft-proclaimed, hard-boiled heir to Hammett and Chandler, but Lehane also takes a page from the Hemingway school of hyper-intense writing. He pares away and pares away until he's left with the absolute essentials--and then those essentials just explode off the page.

In his five Kenzie-Gennaro novels, the detective duo is at the nexus of Lehane's big bang. Darkly funny and just this side of jaded, Angie and Patrick move through Dorchester's bleak streets with an assurance born of familiarity. It's impossible to imagine these streets without the pair, or to imagine the pair away from those streets. Mystic River, then, arrives as a bit of a gamble, as Lehane moves from the sharp edges of portraiture to the broader strokes of landscape. No Angie, no Patrick: this neighborhood is on its own. It's not any prettier and certainly no friendlier, and its working-class façade still barely masks the irresistible tug of violent ways, means, and ends.

Twenty-five years ago, Dave Boyle got into a car. When he came back four days later, he was different in a way that destroyed his friendship with Sean Devine and Jimmy Marcus. Now Sean's a cop, Jimmy's a store owner with a prison record and mob connections, and Dave's trying hard to keep his demons safely submerged. When Jimmy's daughter Katie is found murdered, each of the men must confront a past that none is eager to acknowledge. Lehane tugs delicately on the strands that weave this neighborhood together, testing for their strengths and weaknesses; this novel seems as much anthropological case study as thriller.

By turns violent and pensive, Mystic River is vintage Lehane. How good is it? You may go in missing Angie and Patrick, but after a few pages you won't even realize they're gone. Lehane's noir is still black magic. --Kelly Flynn