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Jarhead: A Marine's Chronicle of the Gulf War and Other Battles

The book Jarhead: A Marine's Chronicle of the Gulf War and Other Battles was made into the movie Jarhead.

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Book details for Jarhead: A Marine's Chronicle of the Gulf War and Other Battles

Jarhead: A Marine's Chronicle of the Gulf War and Other Battles was written by Anthony Swofford. The book was published in 2003 by Scribner. More information on the book is available on Amazon.com.

Read More About This Book

Now a Major Motion Picture from Universal Pictures! New York Times bestselling author Anthony Swofford weaves his experiences in war with vivid accounts of boot camp, reflections on the mythos of the marines, and remembrances of battles with lovers and f... Read More
Now a Major Motion Picture from Universal Pictures! New York Times bestselling author Anthony Swofford weaves his experiences in war with vivid accounts of boot camp, reflections on the mythos of the marines, and remembrances of battles with lovers and family. When the U.S. Marines or "jarheads" were sent to Saudi Arabia in 1990 for the first Gulf War, Anthony Swofford was there. He lived in sand for six months, he was punished by boredom and fear, he considered suicide, pulled a gun on a fellow marine, and was targeted by both enemy and friendly fire. And as engagement with the Iraqis drew near, he was forced to consider what it means to be an American, a soldier, a son of a soldier, and a man.

Movie details for Jarhead

The movie was released in 2005 and directed by Sam Mendes, who also directed Road to Perdition (2002). More information on the movie is available on Amazon.com and also IMDb.

Actors on this movie include Jake Gyllenhaal, Peter Sarsgaard, Scott MacDonald, Jamie Foxx, Lo Ming, Kevin Foster (III), Lucas Black (II), Brian Geraghty, Damion Poitier, Riad Galayini, Craig Coyne, Katherine Randolph, Rini Bell, Dendrie Taylor, James Morrison (II), Arman Zajic, Brianne Davis, Brian Casey (II), Ernest Ozuna and Tyler Sedustine.

 

Read More About This Movie

Based on Anthony Swofford's excellent memoir about his experiences as a Marine Sniper in Gulf War I, Jarhead is a war movie in which the waiting is a far greater factor upon the characters than the war itself, and the build up to combat is more drama tha... Read More
Based on Anthony Swofford's excellent memoir about his experiences as a Marine Sniper in Gulf War I, Jarhead is a war movie in which the waiting is a far greater factor upon the characters than the war itself, and the build up to combat is more drama than what combat is depicted. To some viewers hoping for typical movie action, this will seem like a cruel joke. But it's not. It's just the story as it was written, and if you liked the book, you will probably like the movie. If you didn't, then the movie won't change your mind.

The movie follows the trajectory of Swofford (played with thoughtful intensity by Jake Gyllenhaal) from wayward Marine recruit (he joined because he "got lost on the way to college") to skilled Marine sniper, and on into the desert in preparation for the attack on Iraq. No-nonsense, Marine-for-life Staff Sgt. Sykes (Jamie Foxx), the man who recruited Swofford and his spotter Troy (Peter Sarsgaard) into the sniper team, leads them in training, and in waiting where their lives are dominated by endless tension, pointless exercises in absurdity (like playing football in the scorching heat of the desert in their gas masks so it will look better for the media's TV cameras), more training, and constant anticipation of the moment to come when they'll finally get to kill. When the war does come, it moves too fast for Swofford's sniper team, and the one chance they get at a kill--to do the one thing they've trained so hard and waited so long for--eludes them, leaving them to wonder what was the point of all they had endured.

As directed by Sam Mendes (American Beauty), the movie remains very loyal to the language and vision of the book, but it doesn't entirely work as the film needs something more than a literal translation to bring out its full potential. Mendes's stark and, at times, apocalyptic visuals add a lot and strike the right tone: wide shots of inky-black oil raining down on the vast, empty desert from flaming oil wells contrasted with close-ups of crude-soaked faces struggling through the mire vividly bring to life the meaning of the tagline "welcome to the suck." But much of the second half of the movie will probably leave some viewers feeling disappointed in the cinematic experience, while others might appreciate its microcosmic depiction of modern chaos and aimlessness. Jarhead is one of those examples where the book is better than the movie, but not for lack of trying. --Dan Vancini